
The Peking Opera costume area is a filthy but beautiful place. I spent hours shooting in the old tiny workshop while William got his repairs & orders in. I felt very privilege to be given access to this rich, yet endangered old world craftsmanship locked inside a time capsule in this vanishing historical Hutong.


We flew to Xian the following day. I started to get more excited about the film, looking forward to meet Master Sun & start shooting the training rituals. Most of all, I was glad to be leaving Beijing.
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